Paso Fino Horse Flamenco Dancing and Guitar Norton Heath Equestrian Centre

I provided a performance of Flamenco Dance, Castanets and Guitar for the presentation of the Paso Fino horse at the Norton Heath Equestrian Centre.

Beautiful Dancer Beautiful Paso Fino

At first we were both a little scared of working in close proximity to horses but as we got involved it became one of the most delightful performances that we have given.

The Paso Fino horse is special and I guess you could say that about all breeds of horse each in their own way.

The Paso Fino is a small horse with a gentle nature and walks with small steps, hence the name Paso Fino or Fine Step.

The horse riders took their Fino horses along a passage of wood flooring and this meant that we could hear the horses little steps like a percussive instrument.

We understood then why the horse owners wanted to have flamenco dancing at the presentation.


What was different was that we did not play for a dinner after the event but instead were right in the enclosure on the sand.

The horse made its steps down the wooden passage and then my dancer Rocio imitated or answered the steps with her own footwork on her wooden boards.

What impresses me a great deal about Rocio is the way that she becomes absolutely involved with the situation.

We had very little time to rehearse and yet she created perfect percussive footwork responses to the sound of the Paso Fino.

But as her own spontaneous creation she did something that I found quite lovely: once the horse has completed its passage the rider takes in round to start again but in contrast everything is most quiet and during these moments Rocio created a delicate display with her large Spanish dance shawl or Manton as we call it.

I think all present felt that she had perfectly understood the atmosphere and was in tune with the rider and the horse.

In each passage the horse seemed to sound a little different especially because of the variety of steps and stops and starts which again Rocio answered perfectly.

There were other moments when I played a beautiful tremolo study to accompany a non percussive display and of course there was also time for some of our castanet and guitar duets and some normal flamenco dances.

As I said at the beginning at first we were a little apprehensive but we needn’t have been.

At one point a rider brought out a much bigger horse and rode it somewhat faster around the enclosure explaining the techniques to the audience.

This rider brought his horse much closer to us and very close to my amplifier and yet is was absolutely clear that he had absolute control and that the horse was going exactly where he wanted in the way he wanted.

Not being a professional writer, it is difficult to convey here the passion and beauty of that event.

We came away with the feeling that we would love to work with the Paso Fino horse and riders again at another opportunity.